M D Morgan monogramM D Morgan

Waitlist open — May 2027

Bali Photography Workshop

Five days of street and documentary photography in the Bali most people never photograph.

KarangasemSingarajaMundukDenpasar

  • 5 days
  • Maximum 8 photographers
  • Dry season, May 2027
Join the waitlist
A lone figure with a white umbrella walks past a temple shrine standing in floodwater, in blue dawn mist.

The premise

Not that Bali

Bali is one of the most photographed places on earth, and almost all of it happens in about six locations. The gates. The swing. The rice terrace with the queue.

This workshop doesn't go to any of them.

We work in Karangasem in the east, Singaraja on the north coast, the Munduk highlands, and the streets of Denpasar — a working Indonesian city of nearly a million people that most visitors only ever see from the airport road.

These are places where things are actually happening. Markets, ceremonies, ordinary afternoons. You'll come back with photographs nobody else has.

Two women in blue plastic ponchos carry fruit offerings on their heads along a pink wall as a motorcyclist pulls away.

What we do

Street and documentary

Five days of shooting, every day, in real situations.

Street work in Denpasar — crowds, markets, and the pace and nerve it takes to photograph strangers well. Documentary work in the east and north — ceremony, ritual, village life, the slower kind of seeing that needs patience and access more than it needs gear.

We shoot early and late, and review work together in between. You'll edit as you go, not three months later when you've forgotten what you were thinking.

Where we work

-8.4489, 115.6094

Karangasem

The east. Water palaces, black sand, and ceremonial life that carries on largely unobserved by anyone with a camera.

-8.1120, 115.0880

Singaraja

The old colonial capital on the north coast. Harbour, markets, and a pace that has nothing to do with the south.

-8.2647, 115.0797

Munduk

Highland weather. Cloud, coffee, and the kind of light that arrives for twenty minutes and asks you to be ready.

-8.6705, 115.2126

Denpasar

A working city of nearly a million people, and a genuine street photography town that tourists skip entirely.

The point of it

Finding your own way of seeing

Most photography workshops teach you to make the instructor's pictures. You stand where they stood, at the hour they say, with the settings they recommend, and you go home with a slightly worse version of a photograph that already exists.

This isn't that.

The work is figuring out what you actually respond to, and then building on it. Some people are drawn to faces, some to light, some to gesture, some to the moment just after the moment. That instinct is already there before you arrive — most photographers just haven't been shown how to trust it.

So the days are structured, but the pictures are yours. We spend as much time looking at your work and talking about why you made those choices as we do out shooting.

Selected work

A dancer in full makeup fastens a red helmet over a purple polka-dot rain poncho. A young dancer in a gilded headdress and painted makeup against a deep pink wall. Two women shelter behind yellow umbrellas, offerings balanced on their heads, outside a blue and pink shopfront. A boy rides pillion holding a banana leaf over himself as shelter from the rain. Women carry tiered offerings past a roadside fruit stall stacked with oranges and mangoes.

From Praying in the Rain.

Who runs it

M D Morgan

Michael Dean Morgan is an Australian photographer working in documentary and street photography, based in Bali.

Born in Darwin, he studied New Media Design at Charles Darwin and Curtin universities and worked as a studio designer before photography took over. His debut book, Looking for Bali, was published by Afterhours in Jakarta. Praying in the Rain, a body of work on how the Balinese encounter the divine, carries an accompanying essay by the writer Diana Darling. An ongoing series, Electric Dreams, documents the warung coffee stalls and vintage television sets of Indonesia.

See the full portfolio

The details

Practical

Length
5 days
Group size
Maximum 8 photographers
When
May 2027Timed to the dry season. Exact dates being confirmed.
Where
Karangasem, Singaraja, Munduk, Denpasar
Level
Comfortable shooting in manualNot suitable for absolute beginners.
Price
From approximately US$2,750
Included
Accommodation, all ground transport, guides and fixers, entrance fees, most meals, daily review and editing sessions
Not included
Flights, visa, travel insurance, personal expenses

Questions

Before you ask

When exactly is it?

May 2027, timed for the dry season. Exact dates are being confirmed and go to the waitlist first.

How much will it cost?

Around US$2,750, covering accommodation, transport, guides, entrance fees and most meals. Final pricing goes out with the dates.

What level do I need to be?

You should be comfortable shooting in manual and have some sense of what you're trying to make. You don't need to be good yet. You do need to not be learning which button is which.

What gear do I need?

One body and one or two lenses you know well. Something in the 28–50mm range does most of this work. Bring a laptop for the editing sessions.

Is it suitable for film shooters?

Yes. Bring plenty — and note that the editing sessions will be less useful to you.

Can my partner come if they don't shoot?

Get in touch. It depends on the group and the accommodation.

Why those four places?

Because almost nobody photographs them. Karangasem and Singaraja are where Balinese ceremonial life carries on largely unobserved, Munduk gives you highland weather and light, and Denpasar is a genuine street photography city that tourists skip entirely.

Is it physically demanding?

Some early starts and a reasonable amount of walking, often in heat. No hiking beyond the ordinary.

What's the group size?

Eight maximum. Any more and you're a tour group, and people stop behaving naturally around you.

Five days. Eight photographers. May 2027.

Join the waitlist